I created a scheduling conflict with this week's Writing Room Workshop and had to re-schedule. The new information is below.
The Timed Essay
Tuesday, September 21: 4:30pm to 5:20pm: H&SS 109
Prof. Karl Fornes
Tuesday, September 14, 2004
Monday, September 13, 2004
Blogs for Analysis
I've created links to two political blogs that you may wish to peruse as you complete your blog analysis--The Poorman and Paperwight. Feel free to choose your own blog for analysis, but you must meet with me to have it approved. The links will be on the left hand column for the rest of the semester.
Tuesday, September 07, 2004
Writing Room Workshop
Each semester, the Writing Room sponsors writing workshops led by English Department faculty. Many of the workshops will be useful for AEGL 101 students. See the announcement below:
Formal Writing Guidelines
Wednesday, September 8: 3:00pm to 3:50pm: H&SS 214
Prof. Vicki Collins
Formal Writing Guidelines
Wednesday, September 8: 3:00pm to 3:50pm: H&SS 214
Prof. Vicki Collins
Monday, September 06, 2004
Analyzing Arguments
Dr. Andrew Cline put together a nifty little primer for analyzing arguments using Aristotle's proofs as a part of the Rhetorica Network. We will discuss Aristotle's proofs and the resources available at the Rhetorica Network in class on Tuesday.
The Candidate Viewer's Guide
I will be distributing this during class on Tuesday, but for those who would like a preview and others in Dr. Rhodes' sections, here is a viewer's guide to The Candidate. Enjoy.
Watching a movie is often an enjoyable and relaxing couple of hours. We eagerly pay ten dollars or more for tickets, popcorn, Junior Mints, a cold drink, etc. to have the opportunity to kick back and let the film come to us. Studying films, though, requires more energy on our part. When we study films, we are required to situate ourselves as active and critical participants in the viewing rather than passive receptors. The reward is a much deeper understanding of the film and appreciation of the work of the actors, directors, screenwriters, etc. Great films, like The Candidate, can be entertaining to watch passively but are best understood and appreciated through active and critical study. As you watch The Candidate (and the other films in the American Democracy Project Film Series), be prepared to take notes and pay attention to the subtleties of the acting, filmmaking, script, etc.
To assist you in doing so, I've put together this "Viewer's Guide to The Candidate" to serve as a framework for viewing the film. Of course, this is only a guide; Dr. Botsch and Dr. Dyer will also have important things to say about the movie. In short, I hope Thursday's discussion will include your observations and interpretations based upon your viewing of the film and the discussion afterward.
The Candidate is the second of two movies (The first movie is Downhill Racer in 1969.) in which actor Robert Redford and director Michael Ritchie collaborate to study the notion of "winning" in American society. As you watch, consider what the movie says about "winning" and the "American Dream."
HINTS:
o The "American Dream" is often associated with material prosperity and social success. Keep an eye on the sets--particularly homes and offices--and personal and professional relationships.
o Consider how Robert Redford's character is positioned in relation to different automobiles, especially how that position evolves over the course of the movie.
The screenwriter for The Candidate, Jeremy Larner, served as a speechwriter for U. S. Senator and presidential candidate Eugene McCarthy. Consider what the movie says about political campaigns, specifically the role of in-depth discussion and developed argumentation versus sound bytes and sloganeering.
HINTS:
o Consider how Robert Redford's character reacts to the lights, sound equipment, crowds, etc. in the various scenes in which he is giving a speech. In fact, try to keep track of how Redford’s character’s relationships with and reactions to all sorts of machines develop over the course of the movie.
o Although Howard K. Smith's (the television anchorman) commentary is most obvious, note the more subtle nuances in the script, especially when different characters discuss communicating (or not communicating) a message.
We will discuss the following questions in class on Thursday:
o What is the "turning point" of the film and why is it significant?
o What is the last line of the film and why is it significant?
o Is Robert Redford's character a "hero"?
Watching a movie is often an enjoyable and relaxing couple of hours. We eagerly pay ten dollars or more for tickets, popcorn, Junior Mints, a cold drink, etc. to have the opportunity to kick back and let the film come to us. Studying films, though, requires more energy on our part. When we study films, we are required to situate ourselves as active and critical participants in the viewing rather than passive receptors. The reward is a much deeper understanding of the film and appreciation of the work of the actors, directors, screenwriters, etc. Great films, like The Candidate, can be entertaining to watch passively but are best understood and appreciated through active and critical study. As you watch The Candidate (and the other films in the American Democracy Project Film Series), be prepared to take notes and pay attention to the subtleties of the acting, filmmaking, script, etc.
To assist you in doing so, I've put together this "Viewer's Guide to The Candidate" to serve as a framework for viewing the film. Of course, this is only a guide; Dr. Botsch and Dr. Dyer will also have important things to say about the movie. In short, I hope Thursday's discussion will include your observations and interpretations based upon your viewing of the film and the discussion afterward.
The Candidate is the second of two movies (The first movie is Downhill Racer in 1969.) in which actor Robert Redford and director Michael Ritchie collaborate to study the notion of "winning" in American society. As you watch, consider what the movie says about "winning" and the "American Dream."
HINTS:
o The "American Dream" is often associated with material prosperity and social success. Keep an eye on the sets--particularly homes and offices--and personal and professional relationships.
o Consider how Robert Redford's character is positioned in relation to different automobiles, especially how that position evolves over the course of the movie.
The screenwriter for The Candidate, Jeremy Larner, served as a speechwriter for U. S. Senator and presidential candidate Eugene McCarthy. Consider what the movie says about political campaigns, specifically the role of in-depth discussion and developed argumentation versus sound bytes and sloganeering.
HINTS:
o Consider how Robert Redford's character reacts to the lights, sound equipment, crowds, etc. in the various scenes in which he is giving a speech. In fact, try to keep track of how Redford’s character’s relationships with and reactions to all sorts of machines develop over the course of the movie.
o Although Howard K. Smith's (the television anchorman) commentary is most obvious, note the more subtle nuances in the script, especially when different characters discuss communicating (or not communicating) a message.
We will discuss the following questions in class on Thursday:
o What is the "turning point" of the film and why is it significant?
o What is the last line of the film and why is it significant?
o Is Robert Redford's character a "hero"?
Monday, August 30, 2004
Blogging The Convention
Dave Winer has put together a list of Weblogs from the 2004 Republican National Convention.
Abolish the Electoral College
It appears that the editorial staff at the New York Times would like to Abolish the Electoral College, and they have developed a compelling argument for doing so. What do you think?
Tuesday, August 24, 2004
More Background for the Declaration of Independence
As you read the section in Composing a Civic Life that describes the writing process, you might find "The Rocky Road to Revolution" from the July 2004 issue of the Smithsonian magazine useful as further context for Thomas Jefferson's challenges when writing the Declaration of Independence. (The document linked to above is a "pdf" file, so you might need Adobe Reader to be able to open it.)
Anzia Yezierska Notes
Here are some notes on Anzia Yezierska that Dr. Randy Bass of Georgetown University compiled as part of the Electronic Resources for the Heath Anthology of American Literature (3rd ed). Among other useful information, Bass implies some difficulties in understanding Yezierska's narratives as "strictly autobiographical."
Monday, August 23, 2004
100 Typical Questions
The document above was prepared by the US Citizenship and Immigration Service and includes 100 sample questions for prospective immigrants preparing for the history and civics test as part of their application for citizenship. (Twenty of the questions can be found on page 11 of Composing a Civic Life.)
For more immigration and citizenship resources, go to the "Resources for Further Inquiry" for Chapter One of the Composing a Civic Life companion web site above.
For more immigration and citizenship resources, go to the "Resources for Further Inquiry" for Chapter One of the Composing a Civic Life companion web site above.
Friday, August 20, 2004
Welcome and Textbok Update
Welcome to the course blog for sections 10, 13, 15, 16 and 25 of AEGL 101. We will use this blog as a resource for course announcements and advice. The columns of this blog will also contain links to the student blogs organized by section.
Textbook Update
I spoke with the folks at the USCA Bookstore and they assured me that, as of 11am yesterday (8/19) there were some copies of Composing a Civic Life on the shelves. The bookstore also expects more copies to arrive on Monday. In the meantime, don't hesitate to check online booksellers such as Amazon for the text.
Textbook Update
I spoke with the folks at the USCA Bookstore and they assured me that, as of 11am yesterday (8/19) there were some copies of Composing a Civic Life on the shelves. The bookstore also expects more copies to arrive on Monday. In the meantime, don't hesitate to check online booksellers such as Amazon for the text.
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